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SEA Productions We believe it is our role to foster in young people a desire to explore, discover, invent and learn different ways of performing and provide opportunities for them to do so. 

Updated: Feb 12, 2019





Performed in 2015


Originally titled 'All In Good Time', Intersection of Sound and Sunk is a cross-art form production combining stunning visuals, circus, physical performance and storytelling. Using Rod Vervest’s Voice Prints as a point of departure this timely project celebrates Albany’s personal histories collecting stories from youth, seniors and children with a focus on enabling intergenerational exchange. 'All In Good Time' was a magical re-telling of local stories past and present.


This was also SEA’s very first commissioned play written by young emerging Albany playwright Liz Newell. Mentored by one of Australias most exciting Playwrights Finegan Kruckemeyer, Liz has taken fragments of true Albany history and stiched together a part factual part fictional play. The script evokes an element of magical realism, which provides plenty of scope for Director Mark Storen and our young performers to experiment with elements of circus, acrobatics, physical skills, movement and spoken word to create a truly unique and engaging performance piece.


Rod & Ella Vervest created and performed live an original music score, and Perth Designer Fiona Bruce was engaged to create the set for the performance. Finegan Kruckemeyer joined the creative team during the second week of the school holidays to fine tune the script.








Performed in 2014


Enigma brings to life the work of Leonardo da Vinci by merging circus, aerials and acrobatics in an innovative evening of contemporary Australian performance.


CircaSEA, presented by act- belong- commit, have conceptualized a visual extravaganza of circus performance and narrative that links art, innovation and science as seen through the eyes of Leonardo da Vinci.


Da Vinci’s rich and diverse body of work, including his art, inventions, observations in nature and experiments in early mechanics and flight, have provided an abundance of inspiration from which to devise performance.


Devised by CircaSEA in collaboration with SEA lead circus artist Beth O’Neill and internationally renowned circus artist Chris Mayhew, Based largely on Da Vinci's sketches and diaries, this highly choreographed performance was a feast of exhilarating aerial and ground performance with acrobatic machines, pitching, Chinese pole, object manipulations and numerous aerial apparatus including double trapeze, aerial cubes, silks, hammocks and a cloud swing alongside stunning projections of da Vinci’s work; allowing the audience to be fully immersed in da Vinci’s powerful vision.






Performed in 2014


Window to the Soul proved a wonderful platform for our talented Theatre Ensemble performers to share their self devised monologues.


Audiences loved this show, commenting that it was truly engaging and left them with a sense of hope and warmth, feeling privileged to have shared these honest and intimate stories of whimsy, worry and wonder.”


This production we teemed SEA member Jake Hacker with Dave Nile as a tech mentee. Jake had the opportunity to assist with lighting and sound for the show and has proved himself to be very capable in this aspect of the theatre. Based on the success of this initiative SEA will make tech menteeships a part of all future SEA productions.




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(08) 9841 6002

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SEA respectfully acknowledges the traditional custodians of the land on which we perform, the Menang Noongar people and we pay our respects to the Elders past, present and emerging.  

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